Mark baxter

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As Baxter developed his own methodology, his client base grew. Laurie Sargent then introduced Mark to Tim Collins, most noted for his work as the manager for Aerosmith from Only Steven Tyler can speak for himself, but it would not be outlandish to assume that appreciation goes in both directions, as Baxter often accompanied Tyler to his shows during those very important come-back years, providing moral support and assisting in pre-show warmups. Mark Baxter recognizes that the need for self-expression and healing, often, leads a person to study art and therefore he advocates the arts as a means of personal growth and nurturing.

His extensive client base consists of thousands. He is much sought after as an expert within his field, consulted by professionals throughout the entertainment industry and by people who simply enjoy singing.

He is often invited as a guest speaker to the Berklee College of Music. Mark Baxter is also an author. Steven Zeitels and to date has taken hundreds of voice related courses.

Many of the singers I work with have vocal damage. As a performer myself, I know exactly what it feels like to sing in the worst conditions.

Always loved that. I genuinely loathed school though. Never enjoyed any of that from the age of 5 til when I left at Made great friends with the kids once in there, but hated the institutional aspect of it. I ended up missing a year between the ages of 11 and 12 and self-educated in libraries in that time. Just reading, reading and reading.

All sorts of stuff, history, social studies, sport, art etc. No college or Uni for me, it was straight into the first job I could get to start earning dough. How did you spend your teenage years? I had a very mixed teenage life looking back. I was drawn to all that even though I had no idea why back then, apart from I was very curious. I just knew there had to be another way of living apart from the settling down with kids in a poxy flat with a poxy job even though that was what we were told was all we, the council estate kids if you like, could expect.

You are a very entrepreneurial person, was this something you realised yourself at an early age? My maternal grandfather Stan was a rag and bone man essentially. A lovely man, very resourceful. Could make and mend anything. He just knew how to earn money from nothing most of the time. Pick up rubbish on the street and sell it on and make money from it. I loved street markets so would go with him to many of them across London to buy and sell and generally have a nose around from the age of ten or so.

That was his mantra, get something cheap, sell it on at a profit and build from there. I have taken that maxim and used it pretty much ever since. If no one else will back you, back yourself and build from there. Crack on, stop moaning, make it happen. You spent time working in the print industry, can you tell us about this, do you think this may have had an effect on your later chosen career path as a writer. I ended up in the print, after being made redundant from my first job, which was an apprentice cabinet maker though I mainly made the tea and swept up when doing that.

My dad had a mate called Gudge who was in the print and he got the old man a bit of casual work in there, to top up his wages. I heard all the stories of how it was in there from those two when in the boozer with them and I fancied it.

I managed to get in and then get a union card and stayed there for 13 years, before being made redundant once again. Can you tell us about your connection to the Modernist way of life, when, where or who inspired you and at what age?

My old man loved decent clothes, he was a bit of a Teddy Boy and I had an uncle who always looked dapper in the 60s styles. If you love clothes and music like I did there is only one real smart way of life in which to live all that, which is mod.

No contest. I jumped in in , so aged 17 or so when The Jam was going great and Quadrophenia was all on the tongues of my mates as the film to see. Great way of life and I stick roughly to that code today. We know that this way of life is still very important to you today, how have you found it change over the years? For me, I like to think I take the best of it and use it as the basis of the work I do today.

I still like to see the youth embrace it though and the ones I have seen about recently are doing a very good job of it. Briefly, can you tell us what it is you love about the culture? A big question that. The late 50s early 60s had some of the best music, clothes, buildings, films, books, theatre and art, for me anyway. I grew up in the 60s as a small kid and I think it all seeped into me somehow?

It is just there and I live it every day and will continue to do so. I would like if possible, like to talk with you about your life in London, some of the characters you have met and know, some of the places you go or visited, clubs, pubs and stories and what it's like to be a true London legend, I don't use the term lightly but whilst piecing this interview together it became apparent that you are one.

Can you tell us what its like to be Mark Baxter? Bless you, for the kind praise, but I won't have any of that legend stuff. I honestly just do what I do and for me, the work comes first. If people then like me or praise me for it then fine, but I only take the work seriously never myself. There are far too many egos out there already but when you generally meet the top sorted people they tend to be pretty humble.

There is a lot of smoke and mirrors to a lot that is too much hype. Anyway, for me, London is my playground. All of those daily occurrences inform my life. Embrace it; check out all it has to offer, films, theatre, bookshops, cafes, pubs, sporting events, parks, open spaces, and finally the streets. How did the evolution of Mark Baxter the writer come about? Did you have any early writing influences? Good question. One job was never enough for me. Too one pace, too boring to only have one thing to do.

All very varied. Then I had a very tough year in when my dad died of cancer and me and my wife Lou lost a baby, all in the space of three months. I just buckled and lost all the spark for many months. Then in early , I thought bollocks to it and then decided to write a book dedicated to my dad.

So I started it and got nowhere. Had no idea what I was doing. So gave up. Then I had this idea of the fashions within the game of football. You know, the 60s mod look of Best and Moore right up to the early bling of Beckham and all the stops in between. I sat and tried to write that too and got nowhere once again. Anyway, Paolo was looking for some 60s photos for a project he was doing and was given my number as I was dabbling in buying and selling them around then.

We met and the rest of this answer is carried on in the next question below I see! Your first book - The Fashion of Football, can you tell us about it, where the concept came from, are you an avid supporter yourself, how long it took to write and how it felt to see it in print.

So I meet Paolo, who turned up with Paul Weller as it happens, and we got talking. I told him about my fashion and football idea and he said no mate too busy and all that. Then after a further year of struggling to write it myself, Paolo called again looking for more photos. By this time I had some more ideas to show him and this time he bit. He got the publishing deal, I did the research and he wrote the book.

I was working in a job at the time, so it was really tricky to get all that work sorted and all the book stuff done, but I kept at it and we had some great times on that and became firm mates. I am a genuine football man, watch most games on the telly, so to combine that and my love of style and fashion was a dream. I could hardly believe it when the book came out and my name was on it. Very surreal. You then went on to write the successful 'The Mumper' with Paolo Hewitt which was turned into a feature film starring Bob Hoskins, Phil Davis and other great British actors.

The story of a group of friends who invest in a racehorse. Can you tell us about this experience, seeing your writing come to life on screen and having an actor play yourself in the film? This was the book I wrote in memory of my dad. After the success of The Fashion of Football, I just started to write.

Paolo, God bless him kept an eye on my writing and made suggestions and kept it all flowing.