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Thomas of Aquinas Convent that housed the Dominican friars, as well as the surrounding community. Started in and altered over the centuries, the historic cathedral is another example of Gothic and Renaissance Revival architecture. The colonists included a public plaza used for open-air markets and social exchange, called Plaza de la Catedral , just outside the church.
Plazas were common in Spanish cities in Europe at the time. Shortly thereafter, noting its small size and steep terrain, the community created another plaza, the Plaza de Armas , further inland at Calle de San Francisco to provide a more functional social center.
Sometime during the 18th century, residents nicknamed Casa-Torre the Casa Blanca , or White House, which referred to the thick coat of stucco that covered both the interior and exterior walls. Stuccoing was a common practice used to protect the delicate masonry limestone walls of many buildings. The museum is at 1 Calle de San Sebastian.
To protect the capital from attack, the colonists built forts and military defenses. These defenses form one of the most iconic images of Old San Juan today: a city ringed with stone. The forts protected San Juan from sea and land-based attacks. The entrance is at Calle de Norzagaray. In the 18th and 19th centuries, Old San Juan entered an era of relative tranquility and sustained growth. Two Baroque buildings, Palacio Episcopal and Palacio Rojo, occupy prominent locations within the urban landscape.
Its main entrance has an elegant portal on Calle del Cristo de la Salud. The two-story building housed auxiliary services for the defense of the city and served as living quarters for the Spanish post commanding officers. The Modern Period Many important historic public buildings in Old San Juan were built between and Originally constructed in the 16th century, the Spanish fort La Fortaleza, also known as the Palacio de Santa Catalina , at 63 Calle de la Fortaleza was an early defensive fortification for the city.
It still has its two round towers and a crenellation-topped wall that connects them. Luxurious rooms in its interior contribute to its palatial appearance. At this point the barrio had a population of just over 3, who resided in houses. Owing much to the influence of President Julio A.
Roca, by the population had increased to around 37, residents distributed between some 3, houses. At the turn of the 20 th century, this figure had increased to almost half of the residents, namely Italians, Spaniards, Uruguayans and French.
This legacy of foreign influence can be seen today in the architecture of the barrio. Known locally as Semana Tragica The Tragic Week , anarchist metal workers clashed with nationalist groups after taking control of a workshop and demanding improved working conditions.
Although the government accepted the demands, violence broke out which left hundreds dead and thousands wounded. Situated more or less at the geographical center is Parroquia San Cristobal , the parish church from which the barrio was born out of.
At the heart of the plaza is a bust of a smiling Zorzal Criollo, one of the aliases of legendary tango singer Carlos Gardel. Opened in , the cultural center hosts the Mircrocine Night Film Club which focuses on bizarre cinema. In addition, call ahead to find out about jazz, blues, folkloric and tango events.
Thanks to the barrios large foreign immigration is this delectable delicatessen-bakery. Founded by a Syrian family, the bakery is ideal if you want to pick up a snack whilst on the move or to take home. If you want to try your hand at the culinary form, check the website for recipes.